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b'Jean-Honor\xe9 Fragonard (1732-1806) punctuates the eighteenth century with a burst of fireworks, closing the arc opened by Watteau with his enchanting poems of love and melancholy. While Watteau was ethereal and profound, Fragonard was delightfully light. He captivates us even as he amuses himself, his emotional distance ever apparent. Specialising in f\xeates galantes executed in the Rococo style, Fragonard was a pupil of Fran\xe7ois Boucher and also studied under Chardin. Heeding Bouchers advice, he portrayed romantic gardens replete with fountains, grottos, temples, and terracessettings that also reveal the influence of Tiepolo. With King Louis XV as his patron, Fragonard shifted his focus towards depicting the pleasure-seeking and licentious court, offering scenes rich in love and voluptuousness.'